
A Morning at the Ghats
A slow walk from Assi to Dashashwamedh at first light, with the boatmen, bathers, yoga teachers, and sweepers who make a Varanasi morning.
City on the Ganga, home to ghats, weavers, scholars, and an unbroken ritual life.

Varanasi is not one city but several layered on top of each other. There is the ritual city of the ghats, where the Ganga is treated less as geography than as a presence. There is the trade city of Chowk and Thatheri Bazaar, where brassware, silver, and silk have changed hands for generations. There is the learning city — of Sanskrit, Urdu, Hindi, and music — still alive in small academies and household traditions. And there are the neighbourhood lives of Madanpura, Lallapura, and Pandeypur, where weavers, cooks, boatmen, and teachers go about their days.

A slow walk from Assi to Dashashwamedh at first light, with the boatmen, bathers, yoga teachers, and sweepers who make a Varanasi morning.

Kajri is a song for the monsoon, and the monsoon is a song for women whose husbands have gone away. An essay on one of the great seasonal forms of Bhojpuri music.

The Dhamek Stupa, Ashokan remains, and the modern-day monasteries of Sarnath — a visitor's guide that takes the site on its own terms.

Litti-chokha, thekua, kachori-sabzi, malaiyo — a walk through the kitchens and street carts of Purvanchal, dish by dish.

A primer on the song-forms of Purvanchal — Kajri, Birha, Sohar, Nirgun, Chaita — where they are sung, who sings them, and what they are really about.

A morning in Madanpura, where the looms of Banaras still turn — and the economics of a 500-year-old craft strain against the present.

A night-long walk along the Ganga on Kartik Poornima, as lamps, rituals, and crowds transform the stone steps into a shared public stage.

Chhath draws whole streets to the water at sunrise and sunset. A report from two neighbourhoods — one in Varanasi, one in Ballia — and the women who keep the vow.